Skip to content

References

Bauman, Z. (2000): Liquid Modernity. Polity Press.

Barrett, L. (2011): Beyond the Brain. How Body and Environment Shape Animal and Human Minds. Princeton UP.

Bigelow, K. (Director) (1995). Strange Days (Movie). Lightstorm Entertainment.

Collodi, C. (1881) Le avventure di Pinocchio.

Daniels, D. (2007): "Duchamp : Interface : Turing: A Hypothetical Encounter Between the Bachelor Machine and the Universal Machine". In: Grau, O., (ed.), 2007: MediaArtHistories. MIT Press. pp.103-136.

Dreyfus, H.L. (2001): "Disembodied Telepresence and the Remoteness of the Real." In: ibid., On the Internet. Thinking in Action-series (pp.50-72). New York, NY:Routledge.

Dreyfus, H, and C. Taylor (2015). Retrieving Realism. Harvard UP.

Hacking, I. (1981). "Do we see through microscopes?". In: Pacific Philosophical Quarterly (62:4). pp. 305-322.

Hayles, N.K. (1999): "How we Became Posthuman." In: D. Byrne-Smith (ed.) (2020): Science Fiction. Cambride, Mass: MIT Press. pp. 157-160.

Hayles, N.K. (1999): How We Became Post Human. Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press.

Heidegger, M. (1927). Sein und Zeit.

Hofstadter, D. R. (1979): Gödel, Escher, Bach. An Eternal Golden Braid. New York: Vintage books.

Shelley, M. (1818). Frankenstein, or the modern Prometheus. Lackington, Hughes, Harding, Mavor & Jones.

Rosa, H. (2022): Resonanz. Eine Soziologie der Weltbeziehung. Frankfurt aM: Suhrkamp Taschenbuch Wissenschaft, Nu:2272.

Turing, A. (1950). "Computing Machinery and Intelligence". In: Mind (LIX,236). pp. 433-460

Wagowski (Director) (1999). The Matrix (Movie). Warner Bros et al.

Abbreviations

KSA: Nietzsche, Friedrich, 1980, Sämtliche Werke. Kritische Studienausgaben in 15 Bänden. Edited by Giorgio Colli en Mazzino Montinari. München: Deutscher Taschenbuch Verlag.